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“It’s my doin’s, Mar,” said Betty, “I made it orl up outer my head.”,

“Well, Miss Smith, are you alone here?”,

“Don’t you remember the first day I went to school, he took me between his knees,—I was a little kid then,—and said, ‘Billy, if I[133] know that you ever jump on a boy first to fight him, I’ll lick you. And if another boy jumps on you first, and you don’t fight back, no matter how big he is, I’ll lick you then.’”,

Perhaps the fact that Mannel came from a home where Russian was the language in use and that he knew little English, accounted for his abnormal seriousness during school hours. He could not be absolutely sure what was being said or what might be done to him. Perhaps some cruel elder brother, before Mannel had even started his education, had explained to him in voluble Russian that dreadful pains and penalties were likely to follow the slightest deviation from the paths of virtue. Certain it is that he kept a close watch on the teacher, and that none of her slightest movements escaped him. Though his general appearance might cause mirth in others, he himself seldom smiled. Day by day he sat in his little front seat grasping slate and pencil in chubby hands, gazing earnestly at the sums on the blackboard as he copied them down. Afterward he worked these with fitting solemnity. To him they appeared to be of the greatest difficulty and of national importance. Sometimes he wrote endless rows of letters on his slate. Sometimes he made nondescript figures out of plasticine or drew patterns on his slate or counted beads. At other times, grievous to relate, when he felt sure the teacher was otherwise engaged and could not possibly see him, he drew fierce triangular cats with four or perhaps five stiff, geometrical legs and rampant tails.

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Mrs. Mifsud, in the lead of the rescuing party, ran through the garden gate in time to see St. Elmo fall headlong, his feet having become entangled in the long rank grass near the fence.,

“Mother,” he resumed, “I know I must freeze to some sort of business, and that mighty soon, too. But a preacher—why, he can’t be like anybody. He never has any fun.”,

The child reared without pets was delighted with the animal life about her; the cats, old Bouncer, the white chickens, and pigeons cooing in the loft.,

Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.